A Conversation With Taiyo

Over the past days I have had a very interesting conversation with Taiyo. It covers some of our ideas regarding appropriation, collage, content…

Taiyo has published excerpts of this conversation, typos and all. It is valuable to exchange thoughts and open out to new ideas. I was initially intrigued by the animations she has started to post and contacted her because I found correspondences with what she was saying and doing with my current thinking. It is fascinating how correspondences manifest in things which appear at the outset very different. Is this because there are common threads, are these links an artefact of perception, is it a response to the context and environment? I suspect it is a little of all three.

The documentation of this sort of dialogue is very valuable and unfortunately not that common. It arose spontaneously and without the aim of compiling a document. I must thank Taiyo for having formalised this ongoing exchange from the seemingly fragmented format of the email.

A more complete copy can be found here: PDF

Interim Show: On Titles

 

Even Before Birth is the Future Forgotten

 

Returning home from the Janet’s show installation I had to think about the interim show’s work title. I have never been keen on the process of naming a work despite knowing how important it is; I have seen it as an intrusion of words that closes down meaning. However, having thought at length about the 17th June tutorial with Jonathan I feel quite different about the matter. It is no longer an external slapping on of words but an added layer of meaning, an entry into the work without necessarily fencing its meaning, rather offering a thought that, if the words are chosen carefully, is both suggestive and open. What is more important is that it is the possibility to introduce a rational side to the work, by virtue of the inherent characteristics of words, that helps create a dynamic equilibrium between the rational and emotional. 

Here I reference the paradoxical time shifts that I deal with in my practice, being in the present whilst dealing with time frames interchangeably. I feel this title opens up a whole lot of ideas for me regarding the nature of time and life.

 

 

What to Do with Tags?

I decided to start using them today and soon found myself with a problem, which words to select. I know that it should be significant words but which ones are significant and which ones can be left out?

I put the problem to Janet and we had a long conversation where it was raised that the problem lay in my view of the process. You see, I have a tendency to view the search for certainty as somewhat futile. Everything I do tends to point to my trying to demonstrate this. But is that not trying to find a kind of certainty? Not entirely but I see the point. Using the tag cloud at first sight looked like a futile activity. This brings me back to what I said in my Symposium presentation, I am full of contradiction.

The clue in how tags work lies in the term tag cloud. A cloud’s shape is contingent on unpredictable meteorological conditions. The shape changes in a dynamic process that is beyond one’s control. Meta tags work in an analogous way. Put them in and they start to acquire an order, albeit simpler than those in the sky. They fall into a hierarchy depending on their frequency across blogs regardless of what you think. It is spontaneous.

For this algorithm to be of any use, to have a meaning, the tags have to be chosen without prejudice. Selecting words in or out, consciously or not, defeats the object of the exercise. The whole value of the tag cloud is that it is out of your hands, unpredictable. The tag hierarchy takes shape in unexpected ways outside of your control. This can have a number of positive consequences:

  • Contact with others you might otherwise not have made
  • Insight into one’s own thoughts and ideas
  • Spinning conceptual threads and links that can inform and connect in new ways
  • Fostering an open mind

I have decided to put down all words that confer meaning to a blog and see what comes. I have become somewhat indiscriminate. I cannot put in enough tags. This is much more exciting and interesting than putting down only what I think is interesting or significant.

Now what does this have to do with my work? Simply this, that my whole practice is like a tag cloud. I have worked in so many mediums with a wide variety of themes in disparate contexts and they continually move around in my mind, shuffling like marbles in a bag. They are tags, but for what? Perhaps they represent ideas, experiences, feelings, events. They obviously are connected but how. It is my aim in this MA to find those connections. The way I put it is, to uncover the connective tissue of my practice.

This is not to say that this is my sole aim. It is part of finding connective tissue that can stabilise the internal architecture of my practice as I  reach out to the outside.