Third porcelain conversant piece.
This piece sets the tone for subsequent works. The large suspended piece will follow that felt sense that this has. I have resolved many aspects of making so when I return to the studio I will be able to immerse myself in the making rather than problem solving.
I was originally thinking of having a large number of pieces on a raised surface near the ground. I have changed my mind. This is going to be one of two pieces, placed on surfaces so that they can be looked at and listened to closely: waist height most probably. I had thought of plinths but I think that two flat surfaces, interlocking, held up with very thin metal legs might work better. I don’t want the sense of space to be blocked by solid plinths but rather have the porcelain pieces almost hovering off the ground. One recumbent like this one and the other vertical, more active. The horizontal extension of this one against the verticality of the other will form an L shape seen from above and the side. But this depends on the exhibition space.