Bibliography

Books

Anderson, R. L. (1990) Calliope’s Sisters: A comparative study of philosophies of art. New
Jersey: Prentice Hall, p.238.

Arber, A. (1950) The natural philosophy of plant form. Cambridge: Cambridge University
Press.

Arber, A. (1954) The mind and the eye: A study of the biologist’s standpoint. Cambridge:
Cambridge University Press.

Arber, A. (1957) The manifold and the one. (1957) London: John Murray.

Coen, E. (2012) Cells to civilizations: The principles of change that shape life. Princeton and Oxford: Princeton University Press

Dennett, D. C. (1995) Darwin’s dangerous idea: Evolution and the meanings of life. London: Penguin.

Dewey, J. (1934) Art and experience. London: George Allen and Unwin.

Esslin, M. (1961) The theatre of the absurd. 3rd edn. London: Penguin Books.

Fry, H. (2018). Hello world. [s.l.]: Doubleday.

Jones, G. (2007) ‘The object of sculpture’ in Hulks, D. Wood, J. Potts, A. (eds) Modern
sculpture reader. 1st edn. Leeds: Henry Moore Institute, pp.426-436.

Golding, W. (1971) Clonk clonk: The scorpion god. London: Faber and Faber.

Gould, S. J. (1991) Wonderful life: The burgess shale and the nature of history. London: Penguin Books.

Homer. (1962) The Iliad of Homer. Translated by Richmond Lattimore. London and Chicago: The University of Chicago Press 

Hughes, T. (1998) Lupercal. London: Faber and Faber.

Hughes, T. (2001) Crow: From the life and songs of the crow.  London: Faber and Faber.

Graves, R. (1961) The white goddess: A historical grammar of poetic myth. London: Faber
and Faber.

Lewis-Hamilton, D. (2002) The mind in the cave.  London: Thames and Hudson.

Margullis, L. (1998) The symbiotic planet: A new look at evolution. London: Weidenfeld and Nicolson.

The Bible: Genesis. various versions being considered

Smith, K. A. (1992) Structure of the visual book: Book 95. Fairport: The Sigma Foundation.

Tucker, W. (1977) The language of sculpture. London: Thames and Hudson.

Von Maltzahn, K. E. (1994) Nature as landscape: Dwelling and understanding. Montreal:
McGill-Queen’s University Press.  

Wengrow, D. (2013) The origins of monsters : Image and cognition in the first age of mechanical reproduction. Princeton: Princeton University Press. Available from: ProQuest Ebook Central. [21 December 2018].

 


 

Online

Gil, W. (2018) Sonic plasticity, an introduction. [Online] Medium. Available at:
https://wolfganggil.com/writing/#/sonic-plasticity-an-introduction/ [Accessed 13 Aug. 2018].

Herodotus (1890) The history of herodotus volume 1. Translated by G. C. Macaulay. London:
Macmillan & Co, [Online] Gutenberg Project. Updated 2013. Available at:
www.gutenberg.org/files/2707/2707-h/2707-h.htm [Accessed 14 Sep. 2018]

Robertounger.com, (2016) Roberto Mangabeira Unger. [Online] Available at:
http://www.robertounger.com/ [Accessed 14 Sep. 2018].

O’Connor, D. (2010) ‘The horror of creation: Ted Hughes’ re-writing of Genesis in Crow’, Peer English, Issue 5. pp 47-58. Available at: https://www2.le.ac.uk/offices/english-association/publications/peer-english/5/04OConnor%20.pdf (Accessed: 16 November 2018).

William Kentridge videos

 


 

Other

Graf, F. (2002) “Myth in Ovid,” In Hardie, P. (ed.), The Cambridge Companion to Ovid, Cambridge Companions to Literature, chapter, Cambridge, Cambridge University Press, pp. 108–121.

Kumar, K. (2014_ The shape of sound. Art India, 19(1), pp. 84-85.  Difficult to find original

Duarte Loza, D. (2012) “Salir(se) de las formas. Una poética corpórea entre música y escultura”. Cuadernos de Música, Artes Visuales y Artes Escénicas, vol. 7, núm. 2, 109-138,