What is this, I ask myself? As I made it I felt an unease as it extended its reach physically and formally. The other models in porcelain are clearly zoan but this is different, a hybrid perhaps between animal and artefact, biology and ritual.
And the way I photographed it, suspended by fine cords, gives me an idea for presenting that moves away from the wall, pedestal, plinth, stand, case, cabinet, table top, floor. Fragility, underlined by the immersion in a field of tension, defined by the slender threads, a psychological state between the din of kinetic energy and the repressed quiet of potential energy.
The above series of images is a reminder regarding a recent idea to create 3D animations. I have thought about photogrammetry too which, however, seems to yield imprecise renderings far too often for me to give it the time. In any case , it is all about photographing what I have already made in the flesh, so to speak. I prefer to invent and for this I turn to Blender which is convincingly versatile with high specifications, offering tight control… and it is free.