Something I wrote in the previous post More Studies and Why regarding atoms and caves, made me think of the rhythm of movement, the natural flow of inanimate things that is also found in the way life is constructed. Taken down to the smallest unit of matter before becoming subject to the uncertainty of probability, the atom’s uncannily and mindful symmetry dictates a precision of angles when neighbour attracts neighbour to form a molecule, a structure that possesses a graceful efficiency of space.
So, the components of the sculpture can take from this principle of angles to trace a rhythmic line and entrain the eye as the sounds might with the ear: as the shape of a line in a poem might shape the meaning of its verse.
