The Gut

 

An umbilical to the most distant cousins came as a gossamer sack. I could not move with food just floating about inside me, subject to the vagaries of diffusion, how could I. A second opening appeared, like an eye on the world, the sac stretched and narrowed bathing food in acids and enzymes squirted into a sphinctered environment. Enough energy was assured so I could cease my sessile existence and developing kinetic strategies left behind the ceaseless rocking of the waves. Hunter, prey, grazer, became the hidden rules of day and night in a circadian rhythm of fear. This is what I am in its most fundamental form, keeping entropy at bay.

The nervous system, servant to this messy kitchen, reached round its synaptic fingers, holding the tactics of feeding in its grasp and throwing open a blind race towards sentience. Sight, sound, smell, taste, touch conjured constellations of qualia igniting engines of thought. The self became inevitable. Traversing the threshold of knowledge I left behind the crawling and slavering of my infancy on slimy slopes where hope and fear could not be understood, and produced a soul. Self built, a DIY god that lives within me, another symbiont sharing a body with countless others, keeping at bay the chaos of imagining.
 

Reflections on Concept Sketches

Sketches showing the possible arrangement for the sculptures as part of Enshrinement. The Raft of the Medusa comes to mind as does a lamenting trinity after the deposition.  But these are not people, they are other worldly, poised to utter the narratives of transformation.

The contrapposto of classical statues confers on them a semblance of life as they sit still or lie motionless. Sound will be their given motion, bounded by the environment in which they will be placed: passively subject and resistant at one and the same time. My control is not their loss of freedom,  they are extensions of my mind, compliant to a will but resistant in their material making dictating their own aesthetic and meaning. 

They are not immersed in struggle as is another work, they are released momentarily from it, on the threshold of being to world building. Cryptic anatomy intimates a distant fellowship with the simplest of complex life and ourselves. Each latent form encased in a chrysalid, crawls past another, conforming its shape to a dance choreographed in the dark, lit in a frozen moment of the imagination. A moment that never ceases to change: therein lies the resistant element of their making.