Skype Chat 3.4: Research Statement I

Yesterday we went through some of the initial research statement ideas; next week we shall look at the rest.

My initial research statement outline is fairly advanced by this stage. I have been thinking about it for a number of weeks and it builds on notions I have had throughout the course as well as bringing in constant interests of mine including archaeology-anthropology, mythology, palaeobiology and big history. My trajectory has changed markedly over the past seven months. I started with the idea of looking at the relationship between sound and sculpture. However, I have moved away from this as has my work. I think it important that the RS bear some relationship with developments for it to be of use to me and open out onto avenues into the future whilst linking with my past practice. The ideas I am working with now I believe offer greater possibilities for poetic notions to infuse into what I do: what I was thinking previously in terms of sculpture and sound was more of an aesthetic-technical question. 

The response to the plain English summary I prepared was well received although I did feel that the lack of greater detail did lead to misunderstandings that might not have occurred had the text been written in more technical language. It is always a delicate balancing act between clarity and accessibility. Assumptions have to be made either way and reception very much depends on the audience. Nevertheless, I was able to answer and clarify queries during the chat and I also gathered useful reminders of what I need to bear in mind. 

Jonathan asked me whether the final questions regarding contemporary digital environments would be looked at through a particular lens for example any specific artists. I must admit that this is the area I need to research most. It is a large arena and I have to keep to very specific examples. What comes to mind is Asimov and the like but there is new work being carried out in the field of AI which presents a challenge but I am sure that once immersed in the details of research I will find a rich seam of examples. 

Danni suggest contemporary science fiction as a source. Although this is true in terms of fantasy, the field is vast. The Andromeda Strain by Crichton has sudden come into my head and is one way of looking at things. However, I wish to end the enquiry with more concrete virtual examples. 

I think Jonathan’s observation that the final question regarding perception of AI created mythological beings as philosophical rather than an exploration of existing work is a very interesting one. I must bear in mind not to loose my word count, way, by following this sort of enquiry which quite honestly can be never ending. 

I am very glad that Jonathan observed that the two contextual ideas of Dennett and Wengrow made what would otherwise have been a ‘way too big’ research question manageable. I was aware of keeping things tight and Dennett and Wengrow create a very neat way of encompassing what could become a titanic struggle. Today I made a break through in the correlation between the emergence of large metazoan Cambrian fauna and the proliferation of composite creatures in the Early Bronze Age. This offers a methodology that can be applied to many situations, not just this one. By comparing the energy input of both environments as causes and not the causes of the energy changes in both cases, the whole argument is simplified. I need only explain how increased energy input into each respective ecology occurred comparing the effects of that increased availability of energy: oxygen in one case and food supply in the other. The causes then become of secondary (but no less interesting) importance reducing the amount of contextual explanations. Increased energy levels then correlate growth and motility in both scenarios with Hox genes and writing the information codes that enable the development of complex forms. How I shall explain in the text which I believe can be done cogently. This correlate then sets up the scenario for considering modern and contemporary ideas.

I know that I will have to keep focused and as J says, I shall have to exclude a lot of the material due to the word count. Keeping to the contextual lenses will help. But this is all a good thing because it means that if I should wish to take things further in terms of writing. academic research,  or some other pursuit, there is plenty to expand on. 

Dannii brought up a parallel with music: composing with code to produce what does not look like music yet might be called such. This was interesting in the light of my previous ideas for a research paper. This is something I may still incorporate in the project proposal. Dannii referenced Mark Pilkington. Looking through some of his works on his web site I find some of the things worth listening to in parts but on the whole lack cohesion. The works seem to be predictably random and without shape with isolated elements presenting imaginative glimpses into what might be but it is never sustained. I think that the main problem is one of rhythm and pacing sacrificed to a love of novel effects. It follows the traditions of electroacustic tradition and musique concrete without a sense of the whole. 


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