Height 235 mm
Why are images of gods and other supernatural beings so often depicted in human form or as intuitively plausible creatures? I touched on this in a previous post. However, the rare and rarefied Tantric paintings of Rajasthan are symbolic images of the spiritual world imbued with praeternatural significance as aids to meditation. With hindsight this and the graven image appearing in a following post remind me of Shakti, the female cosmic energy, the dynamic feminine creative power and consort or female counterpart to Shiva. There is a deep rootedness in gender that contemporary society is struggling to reconcile with social paradigms passed down the generations.
Tantric paintings of Shiva and Shakti
In my first year at secondary school, I wrote a project on Lumbricus terrestris, the common earthworm. I was fascinated by its reproductive strategy as a hermaphrodite, how when mating each individual in the coupling would be both receptive female and fertilising male. In Indian cosmology, Shiva and Shakti are feminine and masculine counterparts. Much of Tantric paintings deal with the interplay of the two deities and the cosmic forces they embody. In these small models, I see myself doing something similar. They are created with defined genders of the two binary forms, separate and in one.
I was not aware of this connection, between the Tantric images and my work: correlation not causation. But it makes me think that there are deep rooted ideas that continually emerge in different forms: narratives representing hidden principles that wait to be unearthed.